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Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

2022/01/21

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Peacemaker Episode 4 Review: The Choad Less Traveled

Welcome back for another week of coverage about the show featuring an obscure, sociopathic DC character who will not let anything stand in the way of justice – no matter how many people he has to kill to achieve it. That’s right: it’s episode four of Vigilante. We kid, we kid, but in its second week of airing (and fourth episode overall since last week’s premiere contained three installments), Peacemaker really does feel like the Vigilante show at times. Or at least Vigilante has an arc closer to what one might have expected Peacemaker to have had in the first place. Freddie Stroma as Adrian Chase a.k.a. Vigilante quite simply owns this episode from a sheer entertainment perspective. He begins the hour convinced he’ll never walk again because he’s missing half a pinky toe. But that doesn’t stop him from getting himself thrown in prison merely because Adebayo intimates Peacemaker’s life would be better without his father in it. Say what you will about the masked psycho, but the man has a code. During his threesome with Peacemaker and Amber last week, he bluntly told them he would have killed them in the past for their marijuana use. But it’s legal now so they get to live.

When he finally gets Peacemaker to concede that his father is a racist, he then asks, in all credulity, why Peacemaker doesn’t kill him. His worldview is that simple. Though Peacemaker’s perspective of keeping peace at all costs appears to be cracking after the events in Corto Maltese, Vigilante’s doctrine of justice above all else is unshakeable. That creates a horrifying human being…but one hell of a compelling character. Aside from its pitch perfect opening credits, Peacemaker has never been more entertaining than it is during Vigilante’s brief stint in jail to kill Auggie Smith. He makes his presence known from moment one, sitting in on an Aryan card game and immediately asking the crew to name their favorite contributions to culture from Black Americans. “I’m grateful that Black people gave us rock and roll music,” Vigilante says. “Lynyrd Skynyrd, ZZ Top, 38 Special, all those guys owe everything to Black American folk and blues musicians. I mean, they wouldn’t exist without them. And then white redneck music would just sound like…well, what it sounded like before Black people: which was the wet, sloppy sounds of fucking your sister.” A fight then ensues and Vigilante says something so foul to Auggie that I’m not sure I can reprint it without phoning the FCC first. So yeah…the Vigilante show. That’s the thing about making a secondary character a main protagonist: you kind of have to make them do protagonist things. That means fleshing out Peacemaker as a human being named Christopher Smith and not just the catchphrase spouting murderer he was in The Suicide Squad. To Peacemaker’s credit, this week’s episode does a lot better in that regard than the first three. Peacemaker has never shied away from its titular character’s daddy issues. This week, however, brings them into even clearer focus. “He’s one of the worst people to ever set foot on this planet,” Adebayo (Danielle Brooks) says of the elder Smith early on in the proceedings. Then the episode goes a long way to proving it. We’ve already seen the racism, bigotry, hypocrisy, and downright disregard for humanity in all its forms from Auggie Smith (Robert Patrick). Now we get a better idea of just how damaging all that was to his son. According to Harcourt (Jennifer Holland), Amanda Waller’s file on Peacemaker includes the information that Auggie Smith trained his son to be a killer from birth. Not only that, but Chris’s brother died under mysterious circumstances and the government thinks Chris may have played some sort of role. Later on, when Peacemaker is dancing alone in his home to Faster Pussycat’s “House of Pain” (yes, it’s nothing but bangers this week once again. This particular song choice is topped by only The Cruel Intentions’ “Jawbreaker” during Vigilante’s prison stint), we see him flash back to the moment of his brother’s death. And it’s rough. What could have possibly caused a young boy to foam at the mouth and roll around in the dirt is unclear. But it’s a certainty that Auggie Smith is responsible. Yet, when Peacemaker pays a visit to his pops in prison, Auggie tells him he “fucking loved” his brother. Obviously, of course, he didn’t. That supposed love is only used to hurt Peacemaker amid his fury. Auggie says he should have slit his son’s throat the moment he was born. He calls him a blob of flesh he felt nothing for. How does Peacemaker respond to this breathtaking cruelty? With some jokes, of course! He’s a grower, not a shower. Like as a person…not as a chode. That Peacemaker is able to leave that prison interview and go on with his day reveals just how deep the scar tissue goes. Auggie probably tells his son he should have slit his throat every day, whether it’s due to him getting thrown in prison on false chargers or merely coughing too loud during Fact Attack. That’s why Vigilante feels closer to the central character of the Suicide Squad HBO Max spinoff I envisioned. Though Adrian Chase has his problems (including an absent father of his own and only 9 ½ toes), they don’t come anywhere close to how bleak Peacemaker’s upbringing is. John Cena puts in superb work in this episode to keep the mood up while also believably presenting an adult son’s familial trauma. Peacemaker is somehow halfway through its eight-episode run already. While it has its flaws (Judomaster was perhaps one obscure DC character too many), this remains a truly worthwhile TV endeavor. Now let’s see what’s up with Murn: secret butterfly.

2021/08/05

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Eddie Brock and Venom’s Bromance Lives On in Venom 2: Let There Be Carnage

It’s Tom Hardy vs. Woody Harrelson in the new official trailer for “Venom: Let There Be Carnage,” the latest directorial feature from motion capture genius Andy Serkis. A sequel to the critically-panned but hugely successful 2018 comic book tentpole “Venom,” which earned over $800 million at the worldwide box office, “Let There Be Carnage” also marks the return of Michelle Williams to the franchise and the introduction of “Moonlight” Oscar nominee Naomie Harris as Shriek, the love interest for Carnage.

As revealed last month, Hardy is getting the first “story by” credit of his career on the “Venom” sequel after “spending months” brainstorming the narrative for “Let There Be Carnage” with screenwriter Kelly Marcel. “Venom: Let There Be Carnage.” “This is new for him, to get credit,” Marcel told Empire Magazine. “but it’s not new for him to be this involved. He’s absolutely 100 percent committed to everything that he does. He’s married to Venom. He loves this character. He’s very involved in what he thinks should happen.” “While Marcel gets the full screenplay credit, her script sprang from lengthy conversations with Hardy where they hashed out how exactly Venom and chaotic red symbiote Carnage (which attaches itself to Woody Harrelson’s serial killer Cletus Kasady) will collide on screen. ‘He doesn’t get a pen and write,’ explains Marcel of Hardy’s process. ‘We spent months breaking the story together on FaceTime, riffing on ideas, seeing what worked, seeing what didn’t. Then I took everything we spoke about and holed up somewhere for three months quietly, knocking out a script.’” The “Venom” sequel finds Serkis in the director’s chair for his fourth feature, with his catalog of films including “Mowgli: Legend of the Jungle” from 2018 and the romance “Breathe” from 2017. Serkis is a motion capture legend, thanks to his work on “The Lord of the Rings,” “King Kong,” and “Planet of the Apes.” Criticisms were mainly flung at the original “Venom” for its CGI which requires Tom Hardy to be blended with the technology so it stands to reason that Serkis will more fluidly integrate motion capture graphics into real-world settings than the first film did. “Venom: Let There Be Carnage” is currently set to be released on September 24. Watch the new trailer from Sony in the video below.

2021/07/09

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Watch The First Trailer Released for Disney's Animated Movie Encanto

A magical house, filled with equally magical people. This one has super strength, that one can shapeshift, and another makes gorgeous flowers bloom wherever she goes. It seems like everyone in Encanto’s family has a special gift. Well, with one exception.
Disney has released the first teaser trailer for Encanto today. It’s an animated musical about the magical, charmed Casa Madrigal in Colombia where every member of the Madrigal family has a unique magical talent save Mirabel (Brooklyn Nine-Nine’s Stephanie Beatriz), a 15-year-old girl wearing glasses that put The Mitchells vs. the Machines’ Katie Mitchell to shame. Mirabel appears to be the only one in her family without a magical gift. However, as you can see in the teaser, she’s not about to let that slow her down. “Mirabel is a really funny, loving character who also deeply yearns for something more,” Beatriz said in a statement. “She’s also not afraid to stand up for what she knows is right something I love and relate to very much. Encanto is helmed by Zootopia’s Jared Bush and Byron Howard, alongside Charise Castro Smith and Lin-Manuel Miranda. This marks Miranda’s first start-to-finish collaboration with a Disney animated project, as he was brought in to write the songs for Moana after the project was already well underway. In a previous interview with io9, the composer shared how he was excited for this film because of how much it stands out from other typical Disney animated musicals. Even though Mirabel is the protagonist, this movie is very much about the family working together and sticking by each other.
 
 “One of the things that we really kind of all talked about all the creators, Charise and Byron and Jared and I we were like, ‘We really want to tell a family, an intergenerational family story with all the complexity that brings,’” Miranda said. “So often when you get into story mode, it turns into the hero and the quest and you lose characters, then you lose complexity because everything becomes the quest. And I think what’s been thrilling about this is, since that’s been our mission statement, it’s been really fun to sort of write, you know, musical family dynamics in a really fun and complicated way. I’m really excited for the world to finally see it.” 

What do you think of the first trailer for Disney's Encanto? Are you excited for the film's new music? Let us know in the comments!

2020/07/27

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HONDA CB500X (2019 - on) Review

The 2019 Honda CB500X is packed with a host of seemingly small engine, chassis and styling upgrades, but they actually add up to a lot, making it more capable than ever. It replaced the 2013-2018 Honda CB500X.

That will be music to the ears of the newer riders amongst us - this bike is A2 licence compliant - but it’s a machine that oozes so much class in just about every situation, it’ll impress the experienced, too. Power feels so much fatter than its 47bhp would suggest and just like a big capacity adventure bike it’s spacious, agile, plush, characterful and handles superbly both on tarmac and dusty off-road trails.

Finished and detailed like a bike costing twice the price, the CB500X is an exceptional machine. Its main competition comes in the form of the Chinese-built Benelli TRK 502.

Its go-anywhere capability also lends itself perfectly to adventure bike duties.

New longer travel suspension, a 19” front wheel (replacing the old 17-incher), Dunlop Trailmax Mixtour tyres and 10mm more ground clearance (up to 180mm), lets you do more than just bump up a city kerb.


It’s probably not going to handle the type of gooey green lanes we have in the UK, but on dusty gravel trails it’s more than capable. Not having a gazillion bhp, is a good thing off road and weighing just 197kg makes the CB500X much less of a handful than a big adventure bike. Steering lock is increased by three degrees (to 38) and bars are now 8mm higher and 3mm closer to the rider for more control.

Although the basic tubular steel diamond chassis remains unchanged, the 500X has new seven spoke Africa Twin-style wheels and revised Showa suspension.  It might be inspired to tackle the dirt, but the Honda is spectacular on the road, where it’ll spend most of its time.

It’s more flickable, planted and fun at any speed and more engaging than its naked and race rep CB siblings. Balanced, composed and with impressive grip from its semi-knobbly tyres, this is the CB500 to go for whether you’re commuting, scratching or everything in between.

It may still ‘only’ have an A2 licence-friendly 47bhp, but the way it surges forward on the throttle you’d swear it has a good 20bhp more. That’s all thanks to new valve timing, a bigger airbox and a straighter inlet tract, which unlocks 4% more grunt between 3-7000rpm.

The parallel twin motor is equally happy for you to ride its torque, or slice through its smooth new gearbox and thrash the Charlie and Ewan out of it. The CB500X constantly surprises you with its pace, as its new twin-piped exhaust can rumbles and spits on and off the gas. Power delivery, throttle and new slip and assist clutch are Honda-light and delicate to the touch.

Honda’s CB500 range is extremely robust and mechanical problems are almost non-existent. Our single 2019 Honda CB500X owners' review awards the bike the full five stars overall.

Not only is the CB500X a bargain, running costs will be low, too. Service intervals are every 8000 miles and it sips fuel like a budgie. Honda claim 78mpg and a 305-mile tank range, which isn’t far off the mark.


When we took the 2018 model on our MCN250 test it managed over 312-miles on a single fill-up. You also get a Datatag, two years unlimited mileage warrantee and European breakdown cover.

The 2019 Honda CB500X's closest rival is the Benelli TRK 502, but it also takes on Fantic Caballero 500 Scrambler and the KTM 390 Adventure.

New ‘layered design’ angular bodywork, with more flowing panels, give a shaper, more Africa Twin-look (shame it’s not available in similar HRC colours) and there are powerful LEDs all round, but best of all are the detail touches that show just how much love and thought Honda has put into the design of this humble 500.

Radiator shrouds have been extended and the fuel tank is slimmer at the front to make it easier to move around. Honda says its improved airflow around the 20mm taller, two-way Allen key-adjustable screen (40mm between settings), but it’s still noisy at speed, like just about every other adventure bike out there.

All 2019 CB500s get a new LCD dash, featuring all the important information you need, including a handy gear position indicator, fuel consumption data, race bike-style peak rpm indication and a shift light. Buttons are dash-mounted, leaving the switchgear clean and uncluttered. A Honda GPS mount can be fitted to the fairing bracket above.

A full range of official accessories are available, including luggage, heated grips, centre stand, fog lights and a 12V socket, as well as cosmetic and protective goodies.
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HONDA SP-2 (2000-2010) Review | Speed, Specs & Prices

Even today the SP is a very special bike and while it lacks the instant character that you get with a 916, the Honda is still packed full of spirit. It's just refined, smooth and polite in a typical Japanese fashion rather than outwardly flamboyant like an Italian. Does it justify the high prices on the used market? People are paying even more for the 916, why shouldn't a Honda model be as exclusive as a Ducati?

Like most V-twins, the Honda SP1/2 series need a bit more rider input than the average four when cornering hard. The ride is harsh on both motorcycles, with a massive twin spar frame as the backbone of the motorcycle and firm suspension. The Honda SP1/2 really needs a racetrack to appreciate the abilities of the chassis, as it just seems too hard and unforgiving on many normal roads.


A truly great motor, ruined by a glitchy fuel injection system, especially on the Honda SP1 which is sometimes unpredictable at low rpm. With 133bhp at 10,000rpm the Honda SP2 is 4bhp up on the Honda SP1, but the later model feels easier to ride, thanks to bigger throttle bodies and a better 12 point injector system feeding it.

The Honda SP1/2 feels like it was made in the HRC race shop, not an anonymous factory. Every detail fits together just right, the Honda SP1/2 has an aura of engineering excellence and durability than many other Honda machines sadly lack. Apart from chinning fuel at 30mpg, the Honda SP1/2 has no real faults and if you were some kind of sick masochist, you could probably despatch on it.


The Honda SP1 enjoyed respectable UK sales, but was soon discounted as dealers realised people wouldn't pay vast sums for what was perceived (wrongly) as a jazzed up Firestorm. The Honda SP2 struggled to hold its 10K list price too, dropping to about 8K new in late 2002. Now people realise how exclusive they were and prices on the used market reflect this. You'll do really well to get hold of one for under £5000. Find a Honda SP-2 for sale.

The Honda SP1/2 oozes class. There's little doubt that Honda lost money on each one of them, even at ten grand a pop. Beautiful machined alloy parts, an exquisite swingarm on the Honda SP2, top notch Showa suspension, stunning brakes - the Honda SP series bikes are a techie's delight to look at - and the dashboard looks like it came straight off a Suzuka endurance racer. Spartan but sexy.
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KAWASAKI ZX-10R (2006-2007) Review | Specs & Prices

Slightly more user friendly than the psycho C-model Kawasaki ZX-10R of 2004/05 but the latest Kawasaki ZX-10R is still a pretty extreme, track focused missile. Competitive in the 1000cc sports category, so obscenely fast and fine handling. Kawasaki ZX-10R  headlights not to everyone’s taste visually but it’s a look that gets cars out of the way sharpish.

For some the lively ‘04 model was a little too racy, which meant Kawasaki tried to calm things down with the 06 model. The styling was changed; it got little wider, fatter and heavier thanks to the twin exiting exhausts under the seat. These also gave the 06 ZX-10R the nickname ‘the wheelbarrow’. Nick Morgan says “We had so much trouble getting power out of the engine, and couldn’t get the lazy chassis to handle. The cylinder heads were different, it was harder to tune, but they had fixed the generator problems of the first bike thankfully.”


The engine was similar to the predecessor with the same peak power, however a damper came as standard and it wasn’t as race focused. Despite being the least popular model it shouldn’t be underestimated; it’s lazier handling meant it was stable and easier to ride, it was also roomier.

The latest Kawasaki ZX-10R is so much better behaved on bumpy roads than its predecessor. Quick and effortless to turn, stable and easy to change line mid-corner, the Kawasaki ZX-10R comes with Ohlins steering damper as standard. You’ll still need to be a dedicated, experienced rider if you want to push hard on the track and a mad man to do it on the road on a Kawasaki ZX-10R.

173bhp (181 with ram air) pushing a compact 175kg is never going to be anything other than f-f-f-f-flippin’ fast. And that’s exactly what the Kawasaki ZX-10R is. It revs extremely rapidly and you appreciate the slick gear change as you whiz through the ratios. Third gear power wheelies on the Kawasaki ZX-10R? Naturally.


No regular problems – with proper maintenance the Kawasaki ZX-10R engine should run forever. You can’t thrash a motorcycle like this regularly. If buying a Kawasaki ZX-10R look for crash damage, signs of theft and clues it’s been a race bike or track day machine. Paperwork should provide clues so read it all.

The Kawasaki ZX-10R is a blistering machine for a reasonable price. Better still plenty are sold at a discount. Even thought the GSX-R1000 is a better machine Kawasakis have a cult following which keeps used prices high. Kawasaki ZX-10R servicing and tyres aren’t cheap, insurance ditto but considering the Ferarri crushing performance, the Kawasaki ZX-10R a bargain. Find a Kawasaki ZX-10R for sale.

There are sports bikes you can tour on and some that make it hard work. The riding position on the Kawasaki ZX-10R makes it one of the latter. It’s a head-down, neck craning experience. The Kawasaki ZX-10R is reasonably well equipped for a supersport, digital console includes a lap timer. Read reviews of parts for a Kawasaki ZX-10R.
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MOTO-GUZZI GRISO 1200 (2005-on) Review, Specs & Prices

As an objet d’art the beautifully designed and finished Moto Guzzi Griso is eye-catchingly stunning. As a motorcycle, it’s fun, functional and pretty much as cool as it gets…

After seemingly decades in the doldrums Moto Guzzi is back with a strikingly styled, well built roadster that’s a match for the best from anywhere.

Back in 2011 MCN took a Moto Guzzi Griso onto the long-term test fleet as our V7 was on other duties. Find out what happened here.

There's a good enthusiasts' scene for this bike, so once you've read this review and our owners' reviews, why not head along to Griso Ghetto and join the community?

In 2007 the Moto Guzzi Griso SE 1200 was launched. This was a special edition based on the 1200cc four-valve version of Guzzi's brawny, stylish roadster. For £9109 (£300 over the stock bike) you got flash black anodised alloy wire wheels, a sultry matt green paintjob evocative of Guzzis racers of the '50s and a posh brown seat. Think Bentley-style mix of retro and modern and you won't be far wide of the mark. Riding-wise, it's unchanged.


Ride quality & brakes

Decent enough. The Moto Guzzi Griso's top notch suspension and brakes front and rear give a classy ride and with the weight mostly low it’s stable yet steers sweetly. Pleaseant enough as a roadster, but long wheelbase means its no Brutale or Speed Triple-style sportster.

Engine

The Moto Guzzi Griso 1100's trademark transverse V-twin has at last moved on technologically. Latest shaft drive system and four valve heads result in an almost BMW boxer style unit. It’s flexible, friendly and versatile. Why almost? Because it’s still overweight and lacking outright power. More powerful, peaky 1200 8v version introduced in 2007.

The engine is 80 per cent new, up to 1151cc from 1064cc and features newly-styled cylinders and head covers. There are also discrete modifications to the exhaust (now adopting an eye-catching ‘8’ cross-section) and brakes (new wavy discs and radial callipers, the handlebars are narrower and the seat reprofiled.


Reliability & build quality

Build quality of the Moto Guzzi Griso is quantum leap forwards from Guzzis of the last 10 years or so. Paint and metal finishes gleam and glisten, neat design touches (such as the Guzzi Eagle emblem moulded into the rear light) abound.

We've got 6 Moto Guzzi Griso owners' reviews on the site, with an overall score of 3.8 stars out of 5. Comments mention a few engine reliability problems and a hard ride.

Value vs rivals

Considering the spec, the Moto Guzzi Griso is pretty good value new and used, especially compared to the likes of overpriced BMWs and the ludicrously expensive Yamaha MT-01.

Equipment

The Moto Guzzi Griso's Brembo wheels, brakes and Marzocchi suspension are among the quality cycle parts and the Griso is not lacking sweet deisgn touches or refinement, but as a naked, this is still a fairly basic motorcycle.

2020/02/08

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Goblin Slayer: Goblin's Crown Review

Synopsis:   

Goblin Slayer: Goblin's Crown
A quest takes Goblin Slayer, Priestess, and the others to the northern reaches of the realm to investigate not only the loss of a party of novice adventurers (including a young noblewoman) but also unusual goblin activity. They discover the unthinkable – a goblin with powers previously unattainable by non-prayer people.


Production Info:   
Director: Takaharu Ozaki
Script:
Hideyuki Kurata
Yousuke Kuroda
Original creator: Kumo Kagyu
Character Design: Takashi Nagayoshi

Review:
I can't say that I was disappointed by this OVA because frankly I wasn't expecting much from it in the first place. Condensing an entire book of content into 60 minutes of footage is bound to result in wonky pacing. Although I haven't read volume 5 of the novel series, which this OVA is based on, the story felt like a middle-of-the-road arc for the TV series, but compressed to the point where none of its emotional moments carried much weight.





As far as the story beats go, Goblin's Crown doesn't explore new territory. During a routine goblin extermination trip, the Goblin Slayer and his crew rescue a young swordswoman, who is (rather predictably at this point) a rape survivor. Although the horrible experience leaves her irrevocably changed, the Noble Fencer hasn't lost her will to fight. She wants to reclaim the sword the goblins stole from her, and she won't stop until she has her revenge.

The other new development in the story is the revelation that the goblins are getting smarter at a rather terrifying rate. The big goblin boss this time is able to use magic, a feat which was previously believed only to be available to the human-like races. But because this is only a 60 minute OVA, equivalent to around three TV anime episodes, he gets taken out fast, and there's not much time spent reflecting on the implications of the goblins' feats.

It's a pity that the themes of this OVA are undercooked because what I liked most about the TV series is the pathos. For example, the Sword Maiden's subplot was an earlier take on a rape survivor's plight, and what made it interesting was how she found no salvation even after the goblins were exterminated. The Goblin Slayer lost his humanity fighting the goblins, and the entire series so far has been about him gradually expanding his worldview beyond his trauma.

The Noble Fencer's story has strong parallels to the aforementioned characters, but her healing and redemption occurs in record time. It's implied that she's able to overcome the trauma because of the friendship she develops with the Priestess and High Elf Archer, but as far as this OVA goes, it's only an implication. They never have a heart-to-heart conversation; the Priestess is just there to take the Noble Fencer's hand when the goblins chase after them. While it's nice to see these little hints of female camaraderie in a series that has so far focused almost exclusively on the Goblin Slayer's relationships with other people, I really wish this aspect could have been given more time to develop because the Noble Fencer's character arc came off as very abrupt.

I also find it concerning for the long run how this series has chosen to escalate the threat of the goblins by making them more human-like. At one point in this OVA, it's shown that verbal communication between the goblins and other races is possible under the right circumstances. At this point, it's impossible to think of goblins as wild animals or pests; the only thing that distinguishes them from humans is that they are all evil.

Looking back on the series so far, I'd say that the themes of Goblin Slayer have been a precarious balancing act. It presents a fantasy race of pure evil because it's exploring how humans would cope in the face of such constant evil. Through interacting with the evil beings, human souls become tainted. Stare too long into the darkness and it starts to consume you. Goblin Slayer didn't need a hackneyed twist like "the goblins were corrupted humans all along!" to provoke questions about humanity's relationship with their inner beast, which I appreciated.

At the same time, this angle of portraying goblins as pure monsters can only work when their observable traits are not human-like. By giving the goblins so many human traits, the story is basically presenting a scenario where it's completely okay to write off an entire sentient race as scum. It's not thought-provoking and could easily be read as a justification for having a generally racist outlook on life; I wish the author could have picked a different way to escalate the threat of the goblins instead of making them rely so much on human technology and culture.

As a side effect of the goblins being so human-like in this OVA, the fights are also boring. The goblins never act in ways you don't expect from grunt soldiers; you could substitute them for Star Wars' Stormtroopers and you'll get a sense for what the battles are like. Here, they man a castle, and they also can't aim for squat. There's one scene where the characters stand up and have a dramatic shout-y moment for minutes on end while the goblins rain arrows on them, and nobody gets hit. The story's tension drops precipitously when the intelligence of the enemies fluctuates depending on narrative convenience.

At least this OVA still maintains its violent action as its appeal point... although the production values are about on par with the TV anime's early episodes (which weren't terribly impressive to begin with). There's lots of CG blood and goblins, and the 2D animation still feels kind of stilted, which kind of kills the immediacy of the violence. Yeah, there's decapitated flying heads and sexual violence, which the OVA makes a point of flashing back to multiple times, but the shock factor has pretty much dried up at this point, so I doubt that anyone who sat through the TV series would be particularly fazed by it. Or maybe I only had this reaction because I watched the Made in Abyss movie last week, and that was some genuinely gruesome stuff. Either way, I've seen worse.

I do want to compliment the music, at least, because I liked the ending theme. The song had a lot of ambiance that would have fit a story with more gravitas. The soundtrack was also appropriately dramatic, lending urgency to some of the battle sequences that was missing in the animation.

Overall, I'd say that Goblin's Crown is a little below average by Goblin Slayer standards. The Noble Fencer's story had potential to become an interesting foil to the Goblin Slayer and the Priestess, but the lack of breathing room in this OVA made her subplot fall flat. By cutting out the quiet moments and introspection, this OVA focuses almost entirely on the violence and action, and it's become evident that this aspect of the anime is producing increasingly diminishing returns. I'm sure that Goblin Slayer fans may get a kick out of seeing the action on the big screen, but I don't think the production values warranted a theatrical release. It may be worth checking it out when it gets a home video release, or better yet, just read the novels.

Grade:
Overall : D
Story : D-
Animation : C-
Art : C-
Music : B

+ Noble Fencer's camaraderie with the Priestess seems potentially interesting, good ending theme and soundtrack
− Lack of introspection or pathos hurts the emotional impact, story seems very abridged, goblins' intelligence seems like a narrative contrivance